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Deimling: Violin Quartet in G minor, Op. 89 (Score and Parts)
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Deimling: Violin Quartet in G minor, Op. 89 (Score and Parts)

Deimling: Violin Quartet in G minor, Op. 89 (Score and Parts)

$11.99

Original: $39.95

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Deimling: Violin Quartet in G minor, Op. 89 (Score and Parts)—

$39.95

$11.99

The Story

The Violin Quartet in G minor, Op. 89 consists of three movements, with the opening movement accounting for roughly half of the total performance time. While the first movement in G minor—with its alternating 5/4 and 2/4 time signatures—still shows traces of a sonata form, the following two movements follow a three-part A–B–A structure. The third movement features an Adagio middle section with extended pizzicato passages.

This quartet presents a variety of challenges for educational use. In the first movement, these include developing pizzicato technique, achieving a balance between pizzicato and arco playing, imitative passages, melodic phrasing, and rhythmic precision. The second movement focuses on linear playing and fading, gong-like tones. In the first movement, the first violin faces special challenges in the free-style passage, and in the third movement in handling double stops. Additional challenges in the final movement include refined bow control and articulation.

Deimling: Violin Quartet in G minor, Op. 89 (Score and Parts) - Image 2

Details & Craftsmanship

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Description

The Violin Quartet in G minor, Op. 89 consists of three movements, with the opening movement accounting for roughly half of the total performance time. While the first movement in G minor—with its alternating 5/4 and 2/4 time signatures—still shows traces of a sonata form, the following two movements follow a three-part A–B–A structure. The third movement features an Adagio middle section with extended pizzicato passages.

This quartet presents a variety of challenges for educational use. In the first movement, these include developing pizzicato technique, achieving a balance between pizzicato and arco playing, imitative passages, melodic phrasing, and rhythmic precision. The second movement focuses on linear playing and fading, gong-like tones. In the first movement, the first violin faces special challenges in the free-style passage, and in the third movement in handling double stops. Additional challenges in the final movement include refined bow control and articulation.