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Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano
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Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano

Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano

$5.68

Original: $18.95

-70%
Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano—

$18.95

$5.68

The Story

Alexandre Guilmant was one of the greatest representatives of the French Romantic organ school, and composed almost exclusively for his instrument. A rare exception is this “Morceau symphonique,” written in 1902 for the Paris Conservatoires annual trombone class competition. The charming piece soon found its way into the repertoire – as did Saint-Saëns's “Cavatine” (HN 1119) – and is today among the essential standard works of trombone literature. The “Morceau symphonique” is here offered in its first-ever Urtext edition, based on the autograph and the first edition. We also offer here a particularly special treat: the sight-reading piece that Guilmant wrote for the same competition, which had until now slumbered in the archives and is here published for the very first time.
Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Guilmant Morceau Symphonique Op. 88 and Morceau De Lecture for Trombone and Piano - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

Alexandre Guilmant was one of the greatest representatives of the French Romantic organ school, and composed almost exclusively for his instrument. A rare exception is this “Morceau symphonique,” written in 1902 for the Paris Conservatoires annual trombone class competition. The charming piece soon found its way into the repertoire – as did Saint-Saëns's “Cavatine” (HN 1119) – and is today among the essential standard works of trombone literature. The “Morceau symphonique” is here offered in its first-ever Urtext edition, based on the autograph and the first edition. We also offer here a particularly special treat: the sight-reading piece that Guilmant wrote for the same competition, which had until now slumbered in the archives and is here published for the very first time.